minimalistic

Street photography af Brian Bjeldbak

The Ghost Rider

The Ghost Rider 1920 1440 Fotograf Brian Bjeldbak

A very minimalistic scene with white surfaces and a contrasty subject (the bicyclist).

At first, the human catches the brightest  point, being the stairs and the right surface towards the driving lane. Those points take up quite a bit of the entire image, which makes them a significant part of the motif, but because all leading lines lead towards the bicyclist, he gets to be the main motif.

Contradictions in an image is always good: here we have white and black. The contrast is very sharp.

The shutterspeed was 1/20 sec., which makes the bycyiclist blurry. It gives the viewer a perception of speed and also a bit of mystery, since his body, face and the contour of the bicycle itself isn’t clear.

The scene was shot in Aarhus, Denmark.

OLYMPUS OM-D E‑M10 Mark II, 14-42mm II R, 1/20 f/10 @ISO200

Street photography af Brian Bjeldbak

Det orange øjeblik i U-Bahn’en

Det orange øjeblik i U-Bahn’en 1920 1440 Fotograf Brian Bjeldbak

Et meget minimalistisk motiv: en mørkegrå væg, et hvidt skilt og en person i sort/orange tøj.

Det menneskelige øje får først øje på det lyseste punkt, hvilket er skiltet, men ser derefter, at en person i den modsatte del af billedet er i gang med at gå ud af motivet.

Modsætninger i et billede er altid godt: skiltet er skarpt, mens personen er sløret pga. bevægelses-uskarphed (optaget med en lukkertid på 1/20 sek.).

Personen kigger på noget på hans højre side, men vi kan ikke se, hvad det er. Måske noget på skinnerne?

OLYMPUS OM-D E‑M10 Mark II, 14-42mm II R, 1/20 f/4 @ISO400

Street photography af Brian Bjeldbak

The orange moment in the U-Bahn

The orange moment in the U-Bahn 1920 1440 Fotograf Brian Bjeldbak

A very minimalistic scene: a dark grey wall, a white sign and a person in black/orange clothing. The human eye is first attracted by the brightest spot beeing the sign but then realizes that a person in the opposite part of the image is about to leave the scene.

Contradictions in an image is always good: the sign is perfectly sharp but the person is motion blurred due to the low shutterspeed of 1/20th sec.. The person is looking at something to his right but we can’t see what it is. Maybe something on the tracks?

OLYMPUS OM-D E‑M10 Mark II, 14-42mm II R, 1/20 f/4 @ISO400

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